捷克斯洛伐克60年代新浪潮电影二十五面体（别名：jiekesiluofake60niandaixinlangchaodianyingershiwumianti 捷克斯洛伐克60年代新浪潮電影二十五面「睇」）由马丁·舒利克主持执导,是一部扣人心弦的记录片。 《捷克斯洛伐克60年代新浪潮电影二十五面体》是一部深具实验性和先锋性的作品，它通过独特的叙事手法和非线性时间结构，探讨了个人与社会、现实与梦境之间的界限。影片中，演员们以各自独特的方式演绎角色，展现了60年代社会变革背景下人们内心的挣扎与探索。豆瓣内容: The 2-part feature-length documentary "25 ze šedesátých aneb Československá nová vlna" ("25 from the Sixties, or Czechoslovak New Wave") presents a complex view of the phenomenon of Czech and Slovak New Wave in the cultural and social context of the 60's. 25 fundamental films commented on by their makers and film historians offer the viewer a dramatic insight into the golden era of Czechoslovak cinema. The documentary is a follow-up on the biographical TV series "Zlatá šedesátá" (Czech Television, 2009), based on the filmmakers' personal remembrances. As opposed to the series, the documentary presents the Czech and Slovak cinema of the 60's in the national, international and also inter-generational context. It describes the ways the New Wave crossed the existing artistic boundaries, how it variegated the world cinema and where it left an ineffaceable impression. It analyses the work of filmmakers in a state-funded cinema, under the pressure of ideological demands on one hand and commerce on the other. It presents the dilemma of a man - an artist - on the edge between contradictory social systems and incongruous aesthetic requirements. The existential drama of a man acting freely and at the same time mercilessly crushed by the wheels of the system. The 60's are, from this point of view, mostly an era of fortunate historical constellation, not only in - at that time - Czechoslovakia, but on a world-wide scale. An era of expectations and upswing, but also an era of exemplary human decisions and artistic pursuit. Those are some of the things "25 ze šedesátých aneb Československá nová vlna" wants to commemorate. Part 1 comments on: ■"Slnko v sieti" ("The Sun in a Net," 1962) by Štefan Uher ■"Konkurs" ("Audition," 1963) by Miloš Forman ■"Křik" ("The Cry," 1963) by Jaromil Jireš ■"Postava k podpírání" ("Joseph Kilian," 1963) by Pavel Juráček & Jan Schmidt ■"Každý den odvahu" ("Courage for Every Day," 1964) by Evald Schorm ■"Démanty noci" ("Diamonds of the Night," 1964) by Jan Němec ■"Intimní osvětlení" ("Intimate Lighting," 1966) by Ivan Passer ■"Ať žije republika" ("Long Live the Republic," 1965) by Karel Kachyňa ■"Obchod na korze" ("The Shop on Main Street," 1965) by Ján Kadár & Elmar Klos ■"Romance pro křídlovku" ("Romance for Bugle," 1966) by Otakar Vávra ■"Sedmikrásky" ("Daisies," 1966) by Věra Chytilová ■"Ostře sledované vlaky" ("Closely Watched Trains," 1966) by Jiří Menzel Part 2 comments on: ■"Kristove roky" ("The Prime of Life," 1967) by Juraj Jakubisko ■"Stud" ("Shame," 1967) by Ladislav Helge ■"Svatba jako řemen" ("A Hard and Fast Marriage," 1967) by Jiří Krejčík ■"Drak sa vracia" ("Dragon's Return," 1967) by Eduard Grečner ■"Marketa Lazarová" ("Marketa Lazarová," 1967) by František Vláčil ■"Spřízněni volbou" ("Elective Affinities," 1968) by Karel Vachek ■"Spalovač mrtvol" ("The Cremator," 1968) by Juraj Herz ■"Zabitá neděle" ("Squandered Sunday," 1969) by Drahomíra Vihanová ■"Pasťák" ("The Decoy," 1968) by Hynek Bočan ■"Případ pro začínajícího kata" ("Case for a Rookie Hangman," 1969) by Pavel Juráček ■"322" ("322," 1969) by Dušan Hanák ■"Slávnosť v botanickej záhrade" ("Celebration in the Botanical Garden," 1969) by Elo Havetta ■"Všichni dobří rodáci" ("All My Good Countrymen," 1968) by Vojtěch Jasný斯特凡·乌赫尔饰演的角色，在影片中说道：“在这个世界里，我们都是孤独的旅行者，每个人都在寻找自己的道路。”米洛斯·福尔曼所扮演的角色则这样回应：“我并不寻求理解，我只是试图去感受。”导演Jaromil Jireš在影片中的一段内心独白是：“时间的流动就像沙漏，我们无法阻止它，只能在流逝中找到自己的位置。”帕维尔·祖拉契克饰演的角色，面对复杂的人际关系时，感慨道：“在这个世界上，每个人都是一座孤岛，即使是最亲近的人也无法真正理解彼此。”扬·施密特所塑造的角色在面对生活的挑战时，坚定地说：“尽管前方充满未知，但只要心中有光，就能照亮前行的道路。”这些台词不仅反映了角色内心深处的思考与挣扎，也象征着整个时代背景下个体对自我认同和社会身份的探索。影片通过这些对话，深刻揭示了60年代新浪潮电影的核心主题——个人与社会、现实与想象的交织与冲突。捷克斯洛伐克60年代新浪潮电影二十五面体更多精彩银元之路挤痘大师第二季寻找席拉远古外星人第九季致命邮件：2001 美国炭疽攻击事件明晴学园的寂乐青春李文漫游东湖迈克尔·杰克逊的旅程：由摩城到《墙外》第一餐第一季远古外星人第十三季
